Frankenstein’s representations in movies are however more distorted than the original owner’s intention. For Mary Shelley, the 1818 novel representation of the creature gave the machine human characteristics, a distorted human form and desires like love.
However, like the movies the 19th and early 20th century societies were still not open to the humanization of creations. This fundamental socialization principle is reflected in the 1939 and 1941 movies of Frankenstein which present him as a monster (Johnson & Garrett, 2009). The monsterization of Frankenstein does not come from his creator Mary Shelley but rather from society which is reflected by the writers of the movie scripts, directors and the movie characterization of victor Frankenstein.
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